[{"data":1,"prerenderedAt":207},["ShallowReactive",2],{"epk-content-fr":3},{"settings":4,"bio":128,"story":169},{"id":5,"title":6,"bandcamp":7,"body":10,"description":14,"extension":17,"gallery":18,"headings":35,"meta":47,"moreVideos":48,"navigation":52,"path":53,"photo":54,"pressIntro":56,"pressLinks":57,"quotes":108,"seo":114,"stem":118,"videos":119,"__hash__":127},"epkSettingsFr\u002Ffr\u002Fepk\u002Findex.md","Dossier de presse — The Duke of Norfolk",{"albumId":8,"title":9},"1009585437","Non-Hypnotised Man as a Camera - The Duke of Norfolk",{"type":11,"value":12,"toc":13},"minimark",[],{"title":14,"searchDepth":15,"depth":15,"links":16},"",2,[],"md",{"downloadLabel":19,"images":20},"Télécharger la photo",[21,27,31],{"src":22,"thumbnail":23,"alt":24,"width":25,"height":26},"\u002Fimages\u002Fpromo\u002FCuisine.webp","\u002Fimages\u002Fpromo\u002FCuisine-small.webp","Portrait d’Adam Howard portant des lunettes",2985,2094,{"src":28,"thumbnail":29,"alt":30,"width":25,"height":26},"\u002Fimages\u002Fpromo\u002FGuitar1.webp","\u002Fimages\u002Fpromo\u002FGuitar1-small.webp","Adam Howard tenant une guitare face à l’objectif",{"src":32,"thumbnail":33,"alt":34,"width":25,"height":26},"\u002Fimages\u002Fpromo\u002FGuitar2.webp","\u002Fimages\u002Fpromo\u002FGuitar2-small.webp","Adam Howard tenant une guitare de profil",{"bio":36,"photos":37,"shows":38,"story":39,"listen":42,"press":45,"watch":46},"bIOgraphie","pHotos","conCERTs à venir \u002F récents",{"before":40,"emphasis":41},"à propos de","cAMEra",{"before":43,"emphasis":44},"écouter","Camera","citations \u002F presse récente","Voir",{},{"text":49,"label":50,"link":51},"Plus de vidéos sur","youtube","https:\u002F\u002Fyoutube.com\u002Fdukeofnorfolkthe",true,"\u002Ffr\u002Fepk",{"src":33,"alt":55},"The Duke of Norfolk","Dans la presse :",[58,61,64,67,70,73,76,79,82,85,87,90,93,96,99,102,105],{"source":59,"link":60},"The Wild is Calling","https:\u002F\u002Fthewildiscallingus.com\u002F2025\u002F06\u002F09\u002Femerging-folk-laura-lucas-ponzi-reigns-the-duke-of-norfolk\u002F",{"source":62,"link":63},"Various Small Flames","https:\u002F\u002Fvarioussmallflames.co.uk\u002F2019\u002F04\u002F24\u002Fthe-duke-of-norfolk-as-the-heralds-revere-you\u002F",{"source":65,"link":66},"Hot Lunch Music","https:\u002F\u002Fhotlunchmusic.com\u002F2019\u002F05\u002F02\u002Fthe-duke-of-norfolk-as-the-heralds-revere-you-a-rare-hot-lunch-lullaby\u002F",{"source":68,"link":69},"Caesar Live N Loud","https:\u002F\u002Fwww.caesarlivenloud.com\u002F2019\u002F05\u002Fthe-duke-of-norfolk-unveils-new-single-as-the-heralds-revere-you.html",{"source":71,"link":72},"York Calling","https:\u002F\u002Fyorkcalling.co.uk\u002F2019\u002F05\u002F03\u002Fdiscovery-the-duke-of-norfolk\u002F",{"source":74,"link":75},"Brightest Young Things","https:\u002F\u002Fbrightestyoungthings.com\u002Farticles\u002Fduke-of-norfolk-video-dylan-thomas",{"source":77,"link":78},"OPB","https:\u002F\u002Fwww.opb.org\u002Fopbmusic\u002Farticle\u002Fsong-premiere-the-duke-of-norfolk-dylan-thomas-bitter-bitter\u002F",{"source":80,"link":81},"Fresh on the Net","http:\u002F\u002Ffreshonthenet.co.uk\u002F2018\u002F11\u002Ffaves302\u002F",{"source":83,"link":84},"Global Texan Chronicles","http:\u002F\u002Fglobaltexanchronicles.com\u002Fnorfolk\u002F",{"source":62,"link":86},"http:\u002F\u002Fvarioussmallflames.co.uk\u002F2018\u002F05\u002F11\u002Fbright-sparks-vol-12\u002F",{"source":88,"link":89},"Popmatters","https:\u002F\u002Fwww.popmatters.com\u002Fduke-of-norfolk-shema-2581979364.html",{"source":91,"link":92},"Ear to the Ground","http:\u002F\u002Fwww.eartothegroundmusic.co\u002F2018\u002F04\u002F27\u002Flong-live-folk-music-lunchtime-playlist-april-27\u002F",{"source":94,"link":95},"Popbollocks","https:\u002F\u002Fpopbollocks.com\u002Fthe-duke-of-norfolk-dylan-thomas\u002F",{"source":97,"link":98},"Indie & Folk Radio","https:\u002F\u002Fopen.spotify.com\u002Fuser\u002Findiefolkradio\u002Fplaylist\u002F3jTtM9b6JxbEW2xJnFzJ38",{"source":100,"link":101},"Overblown","https:\u002F\u002Foverblown.co.uk\u002F5-songs-we-loved-this-week-20th-october-2017\u002F",{"source":103,"link":104},"Relix","https:\u002F\u002Fwww.relix.com\u002Fontheverge\u002Fdetail\u002Fthe_duke_of_norfolk",{"source":106,"link":107},"For The Rabbits","https:\u002F\u002Ffortherabbits.net\u002F2017\u002F10\u002F13\u002Ffive-things-we-liked-this-week-13102017\u002F",[109,112],{"text":110,"source":62,"link":111},"“The Duke of Norfolk has made a name blurring the divide between reality and mythology, offering a brand of folk capable of both intimate detail and sweeping grandeur.”","https:\u002F\u002Fvarioussmallflames.co.uk\u002F2025\u002F06\u002F09\u002Fweekly-listening-june-2025-2\u002F",{"text":113,"source":94,"link":95},"“Adam Howard, the man behind The Duke of Norfolk, articulates his vision well. Belonging in tradition but bending the constraints to his will, he produces the kind of folktronica that elevates his material beyond the landscape.”",{"title":115,"description":116,"image":117},"The Duke of Norfolk — dossier de presse","Dossier de presse d’Adam Thomas Howard, musicien américain installé en France, qui compose et se produit sous le nom de The Duke of Norfolk.","\u002Fimages\u002FTheDukeofNorfolk-ColumbiaGorge2.webp","fr\u002Fepk\u002Findex",[120,124],{"id":121,"title":122,"poster":123},"ulPN3zOBO1E","Soak it in Fixer","maxresdefault",{"id":125,"title":126,"poster":123},"S03V4BQRft4","I Have Never Seen Volcanoes","J8DhvfCfEYFlXMK0i8uX-3acSmx25rfggjDWw1z6y3o",{"id":129,"title":130,"body":131,"description":136,"extension":17,"meta":164,"navigation":52,"path":165,"seo":166,"stem":167,"__hash__":168},"epkCopyFr\u002Ffr\u002Fepk\u002Fbio.md","Bio",{"type":11,"value":132,"toc":162},[133,137,140,143,150,156],[134,135,136],"p",{},"The Duke of Norfolk est le projet du musicien folk Adam Thomas Howard, originaire d'Oklahoma. Inspiré très tôt par la musique traditionnelle irlandaise, le bluegrass et le groupe folktronique londonien Tunng, Il s'installe à Édimbourg en 2015 pour étudier le Sound Design, où sa musique s’est progressivement nichée quelque part entre l'instrumentation folk traditionnelle et le folk électronique moderne.",[134,138,139],{},"Résidant à Paris où il collabore étroitement avec Kate Stables (This Is The Kit), ce qui débouche sur l’EP Golden Light & Thistle en 2023, mais également avec Ben Lanz (The National, Sufjan Stevens, Beirut), co-producteur de son dernier album en date, Camera, sorti en 2025.",[134,141,142],{},"Ils continuent activement leur collaboration pour l’opus à venir prochainement.",[134,144,145,149],{},[146,147,148],"strong",{},"Genre :"," folktronica",[134,151,152,155],{},[146,153,154],{},"Influences :"," Tunng, Belle & Sebastian, This Is the Kit",[134,157,158,161],{},[146,159,160],{},"Dans la lignée de :"," Sufjan Stevens, The National, Fionn Regan",{"title":14,"searchDepth":15,"depth":15,"links":163},[],{},"\u002Ffr\u002Fepk\u002Fbio",{"title":130,"description":136},"fr\u002Fepk\u002Fbio","AMxu_D1aPx2vNwx1GY-disKvGAZsdWFhWcH-QLO2mbQ",{"id":170,"title":171,"body":172,"description":201,"extension":17,"meta":202,"navigation":52,"path":203,"seo":204,"stem":205,"__hash__":206},"epkCopyFr\u002Ffr\u002Fepk\u002Fcamera.md","About Camera",{"type":11,"value":173,"toc":199},[174,184,187,190,193,196],[134,175,176,180,181,183],{},[177,178,179],"em",{},"Non-Hypnotized Man as a Camera",", ou plus simplement ",[177,182,44],{},", est un album sur le regard : celui que l’on porte sur le monde, la mémoire, les autres et soi-même.",[134,185,186],{},"Au fil de sept chansons, Adam Howard revient sans cesse au vocabulaire de la photographie et de l’image. Un objectif peut cadrer quelque chose, mais aussi l’exclure. Une photographie peut conserver un instant tout en le déformant. On peut rembobiner, développer et examiner une pellicule ; l’image finale ne ressemble pourtant pas toujours à celle que le photographe imaginait en appuyant sur le déclencheur.",[134,188,189],{},"Cette tension traverse tout l’album. Dans « Soak it in Fixer », l’appareil photo devient la métaphore d’une tentative de saisir l’expérience sans la modifier. « The Bobbin » reprend cette idée sous la forme d’un fil sans cesse enroulé, effiloché, défait puis retissé. Dans « I Have Never Seen Volcanoes », des images empruntées à Emily Dickinson deviennent une vision de catastrophe écologique, tandis que « The Myth of Sisyphus » place la répétition au cœur d’une réflexion sur la foi, le sens et la liberté humaine.",[134,191,192],{},"Les chansons passent librement de l’intime au mythologique. Des visions bibliques côtoient photographies et détails domestiques ; les récits anciens permettent de parler du présent ; le monde ordinaire s’ouvre régulièrement sur quelque chose d’étrange.",[134,194,195],{},"Enregistré et produit par Howard et Ben Lanz — qui a notamment travaillé avec The National, Sufjan Stevens et Beirut —, l’album enrichit l’écriture folk de Howard d’arrangements pour un ensemble de musiciens. Kate Stables, de This Is the Kit, apporte des chœurs, aux côtés de la pedal steel de Stew Crookes, du violon d’Abby Tsype, et de la trompette et du bugle de Kyle Resnick.",[134,197,198],{},"Il en résulte un disque à la fois intime et ample : une musique folk qui ne se contente pas de raconter des histoires, mais interroge la façon dont elles deviennent des images, dont les images deviennent des souvenirs, et la part de ce que nous voyons que crée celui ou celle qui regarde.",{"title":14,"searchDepth":15,"depth":15,"links":200},[],"Non-Hypnotized Man as a Camera, ou plus simplement Camera, est un album sur le regard : celui que l’on porte sur le monde, la mémoire, les autres et soi-même.",{},"\u002Ffr\u002Fepk\u002Fcamera",{"title":171,"description":201},"fr\u002Fepk\u002Fcamera","gsDlWUWv8yu5-LLPEnz5A671tSMTqp0zb1wMTdUvZ8A",1790348422931]